Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

A screening by The Abortion Clinic Film Collective, a group of six feminist filmmakers with diverse backgrounds and distinctive styles who came together from around the country in the wake of the overturning of Roe v Wade to document the impact of the ruling on their own communities. The program includes new work by award-winning filmmaker Lynne Sachs, who shot footage in Syracuse with local reproductive justice advocates from Layla's Got You.

The screening will be followed by a Q&A with filmmakers Kristy Guevara-Flanagan, Ðoan Hoàng, Raymond Rea, and Lynne Sachsas well as reproductive justice advocates J'viona Baker, Ja'Rhea Dixon, Vernahia Davis, and Angela Stroman.

Light refreshments from Recess Coffee & Roastery will also be served.

Street parking is available on Waverly and Comstock Avenue outside of the building.

This special event is held in conjunction with the exhibition of Sachs' This Side of Salina at Light Work Urban Video Pproject's architectural projection site on the Everson Museum facade.

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.